Western Literature / Week8

Propaganda

Propaganda is "information, especially of a biased or misleading nature, used to promote a political cause or point of view". Propaganda is often associated with the psychological mechanisms of influencing and altering the attitude of a population toward a specific cause, position or political agenda in an effort to form a consensus to a standard set of belief patterns.

Propaganda is information that is not objective and is used primarily to influence an audience and further an agenda, often by presenting facts selectively (perhaps lying by omission) to encourage a particular synthesis or perception, or using loaded messages or "loaded language" to produce an emotional rather than a rational response to the information that is presented. Propaganda is often associated with material prepared by governments, but activist groups and companies can also produce propaganda.

In the 2010s, the term propaganda is associated with a manipulative approach, but propaganda historically was a neutral descriptive term. A wide range of materials and media are used for conveying propaganda messages, which changed as new technologies were invented, including paintings, cartoons, posters, pamphlets, films, radio shows, TV shows, and websites.

Flashback

Flashback (narrative), in literature and dramatic media, an interjected scene or point that takes the narrative back in time from the current point.

Foreshadowing

Foreshadowing is a literary device by which an author hints what is to come. Foreshadowing is a dramatic device in which an important plot-point is mentioned early in the story and will return in a more significant way. It is used to avoid disappointment. It is also sometimes used to arouse the reader.

A hint that is designed to mislead the audience is referred to as a red herring. A similar device is the flashforward (also known as prolepsis). However, foreshadowing only hints at a possible outcome within the confinement of a narrative. A flashforward is a scene that takes the narrative forward in time from the current point of the story in literature, film, television, and other media. Foreshadowing is sometimes employed through characters explicitly predicting the future.

By analogy to foreshadowing, the literary critic Gary Morson described its opposite, sideshadowing. Found notably in the epic novels of Leo Tolstoy and Fyodor Dostoyevsky, it is the practice of including scenes that turn out to have no relevance to the plot. This, according to Morson, increases the verisimilitude of the fiction because the audience knows that in real life, unlike in novels, most events are in fact inconsequential. This "sense of structurelessness" invites the audience to "interpret and question the events that actually do come to pass".

Pygmalion (play)

Pygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1913.

Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence.

In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea first presented in 1871. Shaw would also have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and the film of that name.

Shaw mentioned that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry Sweet.

Pygmalion (mythology)

Pygmalion is a legendary figure of Cyprus. Though Pygmalion is the Greek version of the Phoenician royal name Pumayyaton, he is most familiar from Ovid's narrative poem Metamorphoses, in which Pygmalion was a sculptor who fell in love with a statue he had carved.

Galatea (mythology)

Galatea is a name popularly applied to the statue carved of ivory by Pygmalion of Cyprus, which then came to life, in Greek mythology; in modern English the name usually alludes to that story. Galatea is also the name of Polyphemus's object of desire in Theocritus's Idylls VI and XI and is linked with Polyphemus again in the myth of Acis and Galatea in Ovid's Metamorphoses.

Tiresias

In Greek mythology, Tiresias was a blind prophet of Apollo in Thebes, famous for clairvoyance and for being transformed into a woman for seven years. He was the son of the shepherd Everes and the nymphChariclo. Tiresias participated fully in seven generations at Thebes, beginning as advisor to Cadmus himself.