Vocabulary and Etymology / Week11

• fra-

fraction (n.)

✓a small part or amount of something

example: His investment is now worth only a fraction of its original value.

fractious (adj.)

✓easily upset or annoyed

example: A fractious child.

Oblivion (2013 film)

Oblivion is a 2013 American post-apocalyptic science fiction film based on Joseph Kosinski's unpublished graphic novel of the same name. The film was co-written, produced and directed by Kosinski. It stars Tom Cruise, Morgan Freeman, Andrea Riseborough, and Olga Kurylenko. The film was released in the U.S. on April 19, 2013. According to Kosinski, Oblivion pays homage to science fiction films of the 1970s.

Oblivion received mixed reviews. The acting, especially Cruise's performance, the originality, the visual style and effects were praised, while reception of the plot was mixed. Reviewers criticized the film's incorporation of elements from other sci-fi films and what Rotten Tomatoes called a "thinly scripted" story. However, it was a commercial success, grossing more than $286 million worldwide against a $120 million budget.

When I Was One-and-Twenty

BY A. E. HOUSMAN

When I was one-and-twenty

       I heard a wise man say,

“Give crowns and pounds and guineas

       But not your heart away;

Give pearls away and rubies

       But keep your fancy free.”

But I was one-and-twenty,

       No use to talk to me.

When I was one-and-twenty

       I heard him say again,

“The heart out of the bosom

       Was never given in vain;

’Tis paid with sighs a plenty

       And sold for endless rue.”

And I am two-and-twenty,

       And oh, ’tis true, ’tis true.

The Raven

BY EDGAR ALLAN POE

Once upon a midnight dreary, while I pondered, weak and weary, 

Over many a quaint and curious volume of forgotten lore— 

    While I nodded, nearly napping, suddenly there came a tapping, 

As of some one gently rapping, rapping at my chamber door. 

“’Tis some visitor,” I muttered, “tapping at my chamber door— 

            Only this and nothing more.” 

    Ah, distinctly I remember it was in the bleak December; 

And each separate dying ember wrought its ghost upon the floor. 

    Eagerly I wished the morrow;—vainly I had sought to borrow 

    From my books surcease of sorrow—sorrow for the lost Lenore— 

For the rare and radiant maiden whom the angels name Lenore— 

            Nameless here for evermore. 

    And the silken, sad, uncertain rustling of each purple curtain 

Thrilled me—filled me with fantastic terrors never felt before; 

    So that now, to still the beating of my heart, I stood repeating 

    “’Tis some visitor entreating entrance at my chamber door— 

Some late visitor entreating entrance at my chamber door;— 

            This it is and nothing more.” 

    Presently my soul grew stronger; hesitating then no longer, 

“Sir,” said I, “or Madam, truly your forgiveness I implore; 

    But the fact is I was napping, and so gently you came rapping, 

    And so faintly you came tapping, tapping at my chamber door, 

That I scarce was sure I heard you”—here I opened wide the door;— 

            Darkness there and nothing more. 

    Deep into that darkness peering, long I stood there wondering, fearing, 

Doubting, dreaming dreams no mortal ever dared to dream before; 

    But the silence was unbroken, and the stillness gave no token, 

    And the only word there spoken was the whispered word, “Lenore?” 

This I whispered, and an echo murmured back the word, “Lenore!”— 

            Merely this and nothing more. 

    Back into the chamber turning, all my soul within me burning, 

Soon again I heard a tapping somewhat louder than before. 

    “Surely,” said I, “surely that is something at my window lattice; 

      Let me see, then, what thereat is, and this mystery explore— 

Let my heart be still a moment and this mystery explore;— 

            ’Tis the wind and nothing more!” 

    Open here I flung the shutter, when, with many a flirt and flutter, 

In there stepped a stately Raven of the saintly days of yore; 

    Not the least obeisance made he; not a minute stopped or stayed he; 

    But, with mien of lord or lady, perched above my chamber door— 

Perched upon a bust of Pallas just above my chamber door— 

            Perched, and sat, and nothing more. 

Then this ebony bird beguiling my sad fancy into smiling, 

By the grave and stern decorum of the countenance it wore, 

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, 

Ghastly grim and ancient Raven wandering from the Nightly shore— 

Tell me what thy lordly name is on the Night’s Plutonian shore!” 

            Quoth the Raven “Nevermore.” 

    Much I marvelled this ungainly fowl to hear discourse so plainly, 

Though its answer little meaning—little relevancy bore; 

    For we cannot help agreeing that no living human being 

    Ever yet was blessed with seeing bird above his chamber door— 

Bird or beast upon the sculptured bust above his chamber door, 

            With such name as “Nevermore.” 

    But the Raven, sitting lonely on the placid bust, spoke only 

That one word, as if his soul in that one word he did outpour. 

    Nothing farther then he uttered—not a feather then he fluttered— 

    Till I scarcely more than muttered “Other friends have flown before— 

On the morrow he will leave me, as my Hopes have flown before.” 

            Then the bird said “Nevermore.” 

    Startled at the stillness broken by reply so aptly spoken, 

“Doubtless,” said I, “what it utters is its only stock and store 

    Caught from some unhappy master whom unmerciful Disaster 

    Followed fast and followed faster till his songs one burden bore— 

Till the dirges of his Hope that melancholy burden bore 

            Of ‘Never—nevermore’.” 

    But the Raven still beguiling all my fancy into smiling, 

Straight I wheeled a cushioned seat in front of bird, and bust and door; 

    Then, upon the velvet sinking, I betook myself to linking 

    Fancy unto fancy, thinking what this ominous bird of yore— 

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore 

            Meant in croaking “Nevermore.” 

    This I sat engaged in guessing, but no syllable expressing 

To the fowl whose fiery eyes now burned into my bosom’s core; 

    This and more I sat divining, with my head at ease reclining 

    On the cushion’s velvet lining that the lamp-light gloated o’er, 

But whose velvet-violet lining with the lamp-light gloating o’er, 

            She shall press, ah, nevermore! 

    Then, methought, the air grew denser, perfumed from an unseen censer 

Swung by Seraphim whose foot-falls tinkled on the tufted floor. 

    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee 

    Respite—respite and nepenthe from thy memories of Lenore; 

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!” 

            Quoth the Raven “Nevermore.” 

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!— 

Whether Tempter sent, or whether tempest tossed thee here ashore, 

    Desolate yet all undaunted, on this desert land enchanted— 

    On this home by Horror haunted—tell me truly, I implore— 

Is there—is there balm in Gilead?—tell me—tell me, I implore!” 

            Quoth the Raven “Nevermore.” 

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil! 

By that Heaven that bends above us—by that God we both adore— 

    Tell this soul with sorrow laden if, within the distant Aidenn, 

    It shall clasp a sainted maiden whom the angels name Lenore— 

Clasp a rare and radiant maiden whom the angels name Lenore.” 

            Quoth the Raven “Nevermore.” 

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting— 

“Get thee back into the tempest and the Night’s Plutonian shore! 

    Leave no black plume as a token of that lie thy soul hath spoken! 

    Leave my loneliness unbroken!—quit the bust above my door! 

Take thy beak from out my heart, and take thy form from off my door!” 

            Quoth the Raven “Nevermore.” 

    And the Raven, never flitting, still is sitting, still is sitting 

On the pallid bust of Pallas just above my chamber door; 

    And his eyes have all the seeming of a demon’s that is dreaming, 

    And the lamp-light o’er him streaming throws his shadow on the floor; 

And my soul from out that shadow that lies floating on the floor 

            Shall be lifted—nevermore!

Poe's Memorial Grave

When Poe was originally buried in 1849, he was placed in an unmarked grave. Over the years, the site became overgrown with weeds. Eventually, George W. Spence (the Sexton), placed there a small block of sandstone, bearing a carved number “80” (Phillips, Poe the Man, p.1512). Reports of Poe’s anonymous and unkempt grave began to circulate, first privately then in the newspapers. In 1860, Maria Clemm wrote to Neilson from Alexandria, Virginia, “A lady called on me a short time ago from Baltimore. She said she had visited my darling Eddie’s grave. She said it was in the basement of the church, covered with rubbish and coal. Is this true? Please let me know. I am certain both he and I have still friends left to rescue his loved remains from degradation” (letter from Maria Clemm to Neilson Poe, August 1860, reprinted in J. C. Miller, Building Poe Biography, pp. 46-49). This note of concern seems to have spurred Neilson to action. He appears to have assured Mrs. Clemm that Poe was buried in the family lot and that he would take care that the grave was better maintained. Shortly after, he ordered a marble headstone, which was in the process of being carved by Hugh Sisson. Due to the weight of the stones and the difficulty of moving them, the monument yard was next to the railroad line. Before it could be installed, the recently completed stone was destroyed in an accident in which a train ran off the tracks and directly through the yard. Not being a wealthy man, Neilson did not order a second stone. It survives only in a pencil sketch by Charles H. Dimmock. (See Images, below.)

Warren Buffett

Warren Edward Buffett (born August 30, 1930) is an American business magnate, investor and philanthropist. He is considered by some to be one of the most successful investors in the world. Buffett is the chairman, CEO and largest shareholder of Berkshire Hathaway, and is consistently ranked among the world's wealthiest people. He was ranked as the world's wealthiest person in 2008 and as the second wealthiest in 2016. In 2012 Time named Buffett one of the world's most influential people.

Buffett is often referred to as the "Wizard of Omaha", "Oracle of Omaha," or the "Sage of Omaha," and is noted for his adherence to value investing and for his personal frugality despite his immense wealth. Buffett is a notable philanthropist, having pledged to give away 99 percent of his fortune to philanthropic causes, primarily via the Gates Foundation. On April 11, 2012, he was diagnosed with prostate cancer, for which his doctors successfully completed treatment in September 2012. Buffett is also active in contributing to political causes, having endorsed Democratic candidate Hillary Clinton for president during the 2016 campaign season. In February 2013, Buffett was the key player in a $28 billion bid to buy the food manufacturer Heinz.

vocabulary (w28~30)

vulnerable (adj.)

c. 1600, from Late Latin vulnerabilis "wounding," from Latin vulnerare "to wound, hurt, injure, maim," from vulnus (genitive vulneris) "wound," perhaps related to vellere "pluck, to tear" (see svelte), or from PIE *wele-nes-, from *wele- (2) "to strike, wound" (see Valhalla).

bedlam (n.)

"scene of mad confusion," 1660s, from colloquial pronunciation of "Hospital of Saint Mary of Bethlehem" in London, founded 1247 as a priory, mentioned as a hospital 1330 and as a lunatic hospital 1402; converted to a state lunatic asylum on dissolution of the monasteries in 1547. It was spelled Bedlem in a will from 1418, and Betleem is recorded as a spelling of Bethlehem in Judea from 971.

cacophony (n.)

1650s, from Greek kakophonia, from kakophonos "harsh sounding," from kakos "bad, evil" (see caco-) + phone "voice, sound," from PIE root *bha- (2) "to speak, tell, say" (see fame (n.)). Related: Cacophonous.

exploit (n.)

late 14c., "outcome of an action," from Old French esploit "a carrying out; achievement, result; gain, advantage" (12c., Modern French exploit), a very common word, used in senses of "action, deed, profit, achievement," from Latin explicitum "a thing settled, ended, or displayed," noun use of neuter of explicitus, past participle of explicare "unfold, unroll, disentangle" (see explicit).

Meaning "feat, achievement" is c. 1400. Sense evolution is from "unfolding" to "bringing out" to "having advantage" to "achievement." Related: Exploits.

(v.)

c. 1400, espleiten, esploiten "to accomplish, achieve, fulfill," from Old French esploitier, espleiter "carry out, perform, accomplish," from esploit (see exploit (n.)). The sense of "use selfishly" first recorded 1838, from a sense development in French perhaps from use of the word with reference to mines, etc. (compare exploitation). Related: Exploited; exploiting.

propinquity (n.)

late 14c., "nearness in relation, kinship," later also "physical nearness" (early 15c.), from Old French propinquite (13c.) and directly from Latin propinquitatem (nominative propinquitas) "nearness, vicinity; relationship, affinity," from propinquus "near, neighboring," from prope "near" (enlarged from PIE *pro "before;" see pro-) + suffix -inquus.

Nothing propinks like propinquity [Ian Fleming, chapter heading, "Diamonds are Forever," 1956; phrase popularized 1960s by U.S. diplomat George Ball]

disgruntled (adj.)

past participle adjective from disgruntle.

infallible (adj.)

"exempt from error in judgment, knowledge, or opinion," early 15c., from Medieval Latin infallibilis, from in- "not, opposite of" (see in- (1)) + Late Latin fallibilis (see fallible). In reference to Popes, attested from 1870, hence infallibilism, the doctrine of this; infallibilist. Related: Infallibly.

panacea (n.)

"universal remedy," 1540s, from Latin panacea, a herb (variously identified) that would heal all illnesses, from Greek panakeia "cure-all," from panakes "all-healing," from pan- "all" (see pan-) + akos "cure," from iasthai "to heal" (see -iatric). Earlier in English as panace (1510s).

eradicate (v.)

early 15c., "destroy utterly," literally "pull up by the roots," from Latin eradicatus, past participle of eradicare "to root out, annihilate" (see eradication). Related: Eradicated; eradicating; eradicable.

impede (v.)

c. 1600, back-formation from impediment, or else from Latin impedire "impede, be in the way, hinder, detain," literally "to shackle the feet." Related: Impeded; impedes; impeding; impedient.

sedate (adj.)

"calm, quiet," 1660s, from Latin sedatus "composed, moderate, quiet, tranquil," past participle of sedare "to settle, calm," causative of sedere "to sit" (see sedentary). Related: Sedately

(v.)

"treat with sedatives," 1945, a back-formation from the noun derivative of sedative (adj.). The word also existed 17c. in a sense "make calm or quiet." Related: Sedated; sedating.

equanimity (n.)

c. 1600, "fairness, impartiality," from French équanimité, from Latin aequanimitatem (nominative aequanimitas) "evenness of mind, calmness; good-will, kindness," from aequanimis "mild, kind," literally "even-minded," from aequus "even, level" (see equal (adj.)) + animus "mind, spirit" (see animus). Meaning "evenness of temper" in English is from 1610

compatible (adj.)

mid-15c., from Middle French compatible (15c.), from Medieval Latin compatibilis, from Late Latin compati (see compassion). Related: Compatibility.

serenity (n.)

1530s, of weather, 1590s, of persons, from Middle French sérénité, from Latin serenitatem (nominative serenitas) "clearness, serenity," from serenus (see serene). Earliest use (mid-15c.) was as a title of honor for kings, probably from the similar use of Latin serenitas, applied to Roman emperors, later popes.

revere (v.)

1660s, from French révérer, from Latin revereri "revere, fear" (see reverence (n.), which also was the earlier form of the verb). Related: Revered; revering.

irrational (adj.) Look up irrational at Dictionary.com

late 15c., "not endowed with reason" (of beasts, etc.), from Latin irrationalis/inrationalis "without reason, not rational," from assimilated form of in- "not, opposite of" (see in- (1)) + rationalis "of or belonging to reason, reasonable" (see rational (adj.)).

Meaning "illogical, absurd" is attested from 1640s. Related: Irrationally. The mathematical sense "inexpressible in ordinary numbers" is from late 14c. in English, from use of the Latin word as a translation of Greek alogon in Euclid.

avarice (n.)

c. 1300, from Old French avarice "greed, covetousness" (12c.), from Latin avaritia "greed," from avarus "greedy," adjectival form of avere "crave, long for."

insatiable (adj.)

early 15c., insaciable, from Old French insaciable "ravenous" (15c., Modern French insatiable), or directly from Latin insatiabilis "not to be satisfied," from in- "not, opposite of" (see in- (1)) + satiabilis, from satiare (see satiate). Related: Insatiably; insatiableness.

nadir (n.)

late 14c., in astronomical sense, from Medieval Latin nadir, from Arabic nazir "opposite to," in nazir as-samt, literally "opposite direction," from nazir "opposite" + as-samt "road, path" (see zenith

moribund (adj.)

1721, "about to die," from Middle French moribund (16c.), from Latin moribundus "dying, at the point of death," from mori "to die" (see mortal (adj.)). Figurati

lithe (adj.)

Old English liðe "soft, mild, gentle, calm, meek," also, of persons, "gracious, kind, agreeable," from Proto-Germanic *linthja- (source also of Old Saxon lithi "soft, mild, gentle," Old High German lindi, German lind, Old Norse linr "soft to the touch, gentle, mild, agreeable," with characteristic loss of "n" before "th" in English), from PIE root *lento- "flexible" (source also of Latin lentus "flexible, pliant, slow," Sanskrit lithi).

In Middle English, used of the weather. Current sense of "easily flexible" is from c. 1300. Related: Litheness. Old and Middle English had the related verb lin "to cease doing (something)," also used of the wind dying down.

obese (adj.)

1650s, back-formation from obesity and in part from Latin obesus "fat, stout, plump," past participle of obedere "that has eaten itself fat" (see obesity). According to OED, "Rare before 19th c." Related: Obeseness. Latin obesus was translated in Old English as oferfæt "overfat."

adherent (adj.)

late 14c., "sticking, clinging to, adhesive," from Old French adherent or directly from Latin adhaerentem (nominative adhaerens), present participle of adhaerere "stick to," from ad- "to" (see ad-) + haerere "to stick" (past participle haesus; see hesitation).

(n.)

early 15c., "follower, supporter, one who upholds (a leader, cause, etc.)," from Old French adherent or directly from Latin adhaerentem (nominative adhaerens), present participle of adhaerere "stick to," from ad "to" (see ad-) + haerere "to stick" (see hesitation). Meaning "adhesive substance" is from 1912.

bliss (n.)

Old English blis, also bliðs "bliss, merriment, happiness, grace, favor," from Proto-Germanic *blithsjo (source also of Old Saxon blidsea, blizza), from *blithiz "gentle, kind" + *-tjo noun suffix. Originally mostly of earthly happiness; influenced by association with bless and blithe.

(v.)

often with out, by 1973, U.S. colloquial, from bliss (n.).

pathetic (adj.)

1590s, "affecting the emotions, exciting the passions," from Middle French pathétique "moving, stirring, affecting" (16c.), from Late Latin patheticus, from Greek pathetikos "subject to feeling, sensitive, capable of emotion," from pathetos "liable to suffer," verbal adjective of pathein "to suffer" (see pathos). Meaning "arousing pity, pitiful" is first recorded 1737. Colloquial sense of "so miserable as to be ridiculous" is attested from 1937. Related: Pathetical (1570s); pathetically. Pathetic fallacy (1856, first used by Ruskin) is the attribution of human qualities to inanimate objects.

exhort (v.)

c. 1400, "to exhort, encourage," from Old French exhorer (13c.) and directly from Latin exhortari "to exhort, encourage, stimulate" (see exhortation). Related: Exhorted; exhorting.

apathy (n.)

c. 1600, "freedom from suffering," from French apathie (16c.), from Latin apathia, from Greek apatheia "freedom from suffering, impassability, want of sensation," from apathes "without feeling, without suffering or having suffered," from a- "without" (see a- (3)) + pathos "emotion, feeling, suffering" (see pathos). Originally a positive quality; sense of "indolence of mind, indifference to what should excite" is from c. 1733.

fracas (n.)

1727, from French fracas "crash, sudden noise; tumult, bustle, fuss" (15c.), from Italian fracasso "uproar, crash," back-formation from fracassare "to smash, crash, break in pieces," from fra-, a shortening of Latin infra "below" (see infra-) + Italian cassare "to break," from Latin quassare "to shake" (see quash).

inebriated (adj.)

"drunken," c. 1600, past participle adjective from inebriate. The earlier adjective was inebriate (late 15c.).

adversary (n.)

"unfriendly opponent, enemy" (originally especially of Satan as the enemy of mankind), mid-14c., aduersere, from Anglo-French adverser (13c.), Old French adversarie (12c., Modern French adversaire) "hostile opponent, enemy," or directly from Latin adversarius "an opponent, rival, enemy," noun use of adjective meaning "opposite, hostile, contrary," literally "turned toward one," from adversus "turned against, turned toward, fronting, facing," figuratively "hostile, adverse, unfavorable," past participle of advertere "to turn toward," from ad "to" (see ad-) + vertere "to turn, turn back, be turned; convert, transform, translate; be changed" (see versus). The Latin word is glossed in Old English by wiðerbroca.

indolent (adj.)

1660s, "causing no pain, painless," from French indolent (16c.) or directly from Late Latin indolentem (see indolence). Sense of "living easily, slothful," is 1710, a sense perhaps developed in French. Related: Indolently.

gusto (n.)

1620s, "very common from the beginning of the 19th c." [OED], from Italian gusto "taste," from Latin gustus "a tasting," related to gustare "to taste, take a little of," from PIE *gus-tu-, suffixed form of root *geus- "to taste, choose" (source also of Sanskrit jus- "enjoy, be pleased," Avestan zaosa- "pleasure," Old Persian dauš- "enjoy"). The root forms words for "taste" in Greek and Latin, but its descendants in Germanic and Celtic mostly mean "try" or "choose" (such as Old English cosan, cesan, Modern English choose; Gothic kausjan "to test, to taste of," Old High German koston "try," German kosten "taste of"). The semantic development could have been in either direction. English first borrowed the French form, guste "organ of taste; sense of taste" (mid-15c.), but this became obsolete.

garrulous (adj.)

1610s, from Latin garrulus "talkative, chattering," from garrire "to chatter," from PIE root *gar- "to call, cry," of imitative origin (compare Greek gerys "voice, sound," Ossetic zar "song," Welsh garm, Old Irish gairm "noise, cry"). Related: Garrulously; garrulousness.

banal (adj.)

"trite, commonplace," 1840, from French banal, "belonging to a manor, common, hackneyed, commonplace," from Old French banel "communal" (13c.), from ban "decree; legal control; announcement; authorization; payment for use of a communal oven, mill, etc." (see ban (v.)). The modern sense evolved from the word's use in designating things like ovens or mills that belonged to feudal serfs, or else compulsory military service; in either case it was generalized in French through "open to everyone" to "commonplace, ordinary," to "trite, petty."

platitude (n.)

1812, "dullness," from French platitude "flatness, vapidness" (late 17c.), from Old French plat "flat" (see plateau (n.)); formed on analogy of latitude, etc. Meaning "a flat, dull, or commonplace remark" is recorded from 1815. Related: Platitudinous. Hence platitudinarian (n.), 1855; platitudinize (1867).

pique (n.)

1530s, "fit of ill feeling," from Middle French pique "a prick, sting, irritation," noun of action from piquer (see pike (n.2)).

(v.)

"to excite to anger," 1670s, from French piquer "to prick, sting" (see pike (n.2)). Softened meaning "to stimulate, excite" is from 1690s. Related: Piqued; piquing.

dilettante (n.)

1733, borrowing of Italian dilettante "lover of music or painting," from dilettare "to delight," from Latin delectare (see delight (n.)). Originally without negative connotation, "devoted amateur," the pejorative sense emerged late 18c. by contrast with professional.

atypical (adj.)

1847, from a- (2) "not" + typical. Related: Atypica

nondescript (adj.)

1680s, "not hitherto described," in scientific usage, coined from non- + Latin descriptus, past participle of describere (see describe). General sense of "not easily described or classified" is from 1806.

wane (v.)

Old English wanian "make or become smaller gradually, diminish, decline, fade," from Proto-Germanic *wanen (source also of Old Saxon wanon, Old Norse vana, Old Frisian wania, Middle Dutch waenen, Old High German wanon "to wane, to grow less"), from *wano- "lacking," from PIE *we-no-, from root *eue- "to leave, abandon, give out" (see vain). Related: Waned; waning; wanes.

extinct (adj.)

early 15c., "extinguished, quenched," from Latin extinctus/exstinctus, past participle of extinguere/exstinguere "to put out, quench; go out, die out; kill, destroy" (see extinguish). Originally of fires; in reference to the condition of a family or a hereditary title that has "died out," from 1580s; of species by 1690s. Shakespeare uses it as a verb. Compare extinction.

idyllic (adj.)

"full of natural, simple charm," 1831, literally "suitable for an idyll" from French idyllique or else from idyll + -ic. In late 18c. it meant "pertaining to an idyll."

galvanize (v.)

1801, "stimulate by galvanic electricity," from French galvaniser, from galvanisme (see galvanism). Figurative sense of "excite, stimulate (as if by electricity)" first recorded 1853 (galvanic was in figurative use in 1807). Meaning "to coat with metal by means of galvanic electricity" (especially to plate iron with tin, but now typically to plate it with zinc) is from 1839.

He'll swear that in her dancing she cuts all others out,

Though like a Gal that's galvanized, she throws her legs about.

[Thomas Hood, "Love has not Eyes," 1845]

Related: Galvanized; galvanizing.

encumbrance (n.)

c. 1300, "trouble, difficulty; ensnarement, temptation," from Old French encombrance "encumbrance, obstruction; calamity, trouble," from encombrer (see encumber). Meaning "that which encumbers, impediment, obstacle" is from late 14c. in English.

gaudy (adj.)

"showy, tastelessly rich," c. 1600; earlier "joyfully festive" (1580s), probably a re-adjectivizing of gaudy (n.) "large, ornamental bead in a rosary" (early 14c.) via the noun gaud + -y (2.). In early Modern English it also could mean "full of trickery" (1520s).

Or possibly the adjective is from or influenced by Middle English noun gaudegrene (early 14c.), name of a yellowish-green color or pigment, originally of dye obtained from the weld plant (see weld (n.1)). This Germanic plant-name became gaude in Old French, and thus the Middle English word. Under this theory, the sense shifted from "weld-dye" to "bright ornamentation."

As a noun, "feast, festival" 1650s, from gaudy day "day of rejoicing" (1560s).

condescend (adj.)

mid-14c., "to yield deferentially," from Old French condescendere (14c.) "to agree, consent, give in, yield," from Late Latin condescendere "to let oneself down," from Latin com "with, together" (see com-) + descendere "descend" (see descend). Sense of "to sink willingly to equal terms with inferiors" is from mid-15c.

candor (n.)

"openness of mind, impartiality, frankness," c. 1600, from Latin candor "purity, openness," originally "whiteness," from candere "to shine, to be white" (see candle). Borrowed earlier in English (c. 1500) with the Latin literal sense "extreme whiteness."

mortify (v.)

late 14c., "to kill," from Old French mortefiier "destroy, overwhelm, punish," from Late Latin mortificare "cause death, kill, put to death," literally "make dead," from mortificus "producing death," from Latin mors (genitive mortis) "death" (see mortal (adj.)) + root of facere "to make" (see factitious). Religious sense of "to subdue the flesh by abstinence and discipline" first attested early 15c. Sense of "humiliate" first recorded 1690s (compare mortification). Related: Mortified; mortifying.

jocose (adj.)

"given to jokes and jesting," 1670s, from Latin iocosus "full of jesting, fond of jokes, funny," from iocus "pastime, sport; a jest, joke" (see joke (n.)). Often it implies ponderous humor (compare jocund). Related: Jocosely; jocoseness.

malign (adj.)

early 14c., from Old French maligne "having an evil nature," from Latin malignus "wicked, bad-natured," from male "badly" (see mal-) + -gnus "born," from gignere "to bear, beget," from PIE root *gn- "to bear" (see genus).

(v.)

"to slander," mid-15c., from earlier more literal sense of "to plot, to contrive" (early 15c.), from Old French malignier "to plot, deceive, pervert," from Late Latin malignare "to do maliciously," from malignus "mean, unkind" (see malign (adj.)). Related: Maligned; maligning.

omnipotent (adj.)

early 14c., from Old French omnipotent "almighty, all-powerful" (11c.) or directly from Latin omnipotentem (nominative omnipotens) "all-powerful, almighty," from omnis "all" (see omni-) + potens (genitive potentis) "powerful" (see potent). Strictly only of God or a deity; general sense of "having absolute power or authority" is attested from 1590s.

zenith (n.)

"point of the heavens directly overhead at any place," late 14c., from Old French cenith (Modern French zénith), from Medieval Latin cenit, senit, bungled scribal transliterations of Arabic samt "road, path," abbreviation of samt ar-ras, literally "the way over the head." Letter -m- misread as -ni-.

The Medieval Latin word could as well be influenced by the rough agreement of the Arabic term with classical Latin semita "sidetrack, side path" (notion of "thing going off to the side"), from se- "apart" + *mi-ta-, suffixed zero-grade form of PIE root *mei- (1) "to change" (see mutable). Figurative sense of "highest point or state" is from c. 1600.

fledgling

also fledgeling, 1830, "untried" (adj.), in Tennyson; 1846 as a noun meaning "young bird" (one newly fledged); from fledge + diminutive suffix -ling. Of persons, from 1856.

peremptory (adj.)

"decisive," mid-15c., legal term, from Anglo-French peremptorie, from Middle French peremtoire, from Latin peremptorius "destructive, decisive, final," from peremptor "destroyer," from perimpere "destroy, cut off," from per "away entirely, to destruction" (see per) + emere "to take" (see exempt (adj.)). Of persons or their words, "certain, assured, brooking no debate," 1580s. Related: Peremptorily.

precedent (n.)

early 15c., "case which may be taken as a rule in similar cases," from Middle French precedent, noun use of an adjective, from Latin praecedentum (nominative praecedens), present participle of praecedere "go before" (see precede). Meaning "thing or person that goes before another" is attested from mid-15c. As an adjective in English from c. 1400. As a verb meaning "to furnish with a precedent" from 1610s, now only in past participle precedented.

wheedle (v.)

"to influence by flattery," 1660s, of uncertain origin, perhaps connected with Old English wædlian "to beg," from wædl "poverty" [OED], or borrowed by English soldiers in the Thirty Years' War from German wedeln "wag the tail," hence "fawn, flatter" (compare adulation). Related: Wheedled; wheedling.

rustic (adj.)

mid-15c., from Latin rusticus "of the country, rural; country-like, plain, simple, rough, coarse, awkward," from rus (genitive ruris) "open land, country" (see rural). Noun meaning "a country person, peasant" is from 1550s (also in classical Latin). Related: Rustical (early 15c.).

jubilant (adj.)

1660s (Milton), from Latin iubilantem (nominative iubilans), present participle of iubilare "to let out whoops," in Christian writers, "to shout for joy," related to iubilum "wild shout," from Proto-Italic *iu, an exclamation of joy that probably was in Proto-Indo-European (cognates: Greek iu, an interjection of amazement, iuge "crying;" Middle High German ju, juch, an exclamation of joy; Dutch juichen, Old Norse yla, English yowl). With ending as in sibilant. Related: Jubilantly.

decorum (n.)

1560s, from Latin decorum "that which is seemly," noun use of neuter of adjective decorus "fit, proper," from decor (see dec

charlatan (n.)

1610s, from French charlatan "mountebank, babbler" (16c.), from Italian ciarlatano "a quack," from ciarlare "to prate, babble," from ciarla "chat, prattle," perhaps imitative of ducks' quacking. Related: Charlatanism; charlatanical; charlatanry.